Apparently Blake eventually realized that he had been
blessed and singled out to give what he had received,
not to to the small circle of folks around him, but
to the generations which would follow. The furious
effort that he put into his work in spite of the
slight affirmation he received, indicates to me that
he believed that his influence could penetrate
history as psychological development caught up with
him. He could look back at Homer, Jesus and Paul
(among others), who produced not for their
contemporaries but for their spiritual descendants,
and seek to be among them.
__________________________________________
Of this frontispiece for JERUSALEM, Erdman says: "We may suppose that Los in his London human form as William Blake, is entering a dark place with his illumination, as Jesus enters Hell with his key; that he is leading us toward a scene of action; that his arresting hand invites our attention; that he is preparing to give himself, as Milton on the title page of Milton." Los Entering The Grave
Wednesday, September 2, 2009
SPIRITUAL DESCENDENTS
SPIRITUAL DESCENDENTS
Apparently Blake eventually realized that he had been
blessed and singled out to give what he had received,
not to to the small circle of folks around him, but
to the generations which would follow. The furious
effort that he put into his work in spite of the
slight affirmation he received, indicates to me that
he believed that his influence could penetrate
history as psychological development caught up with
him. He could look back at Homer, Jesus and Paul
(among others), who produced not for their
contemporaries but for their spiritual descendants,
and seek to be among them.
__________________________________________
Of this frontispiece for JERUSALEM, Erdman says: "We may suppose that Los in his London human form as William Blake, is entering a dark place with his illumination, as Jesus enters Hell with his key; that he is leading us toward a scene of action; that his arresting hand invites our attention; that he is preparing to give himself, as Milton on the title page of Milton." Los Entering The Grave
FOURFOLD READING
One of the better known sayings of William Blake concerns "Fourfold Vision." This is from a letter he wrote to his long term friend and supporter Thomas Butts.
"Now I a fourfold vision see
And a fourfold vision is given to me
Tis fourfold in my supreme delight
And three fold in soft Beulahs night
And twofold Always. May God us keep
From Single vision & Newtons sleep"
Blake's ability to envision the psyche as fourfold can be used as a guide to reading Blake on for different levels.
1) It would be possible to read him at the literal level as an account of material, sensual events. This may be the most difficult way to read him because his account would be of historical characters meeting mythological or fictional ones, people being thrown into furnaces or ground up by harrows, curtains being hung in the far reaches of space, and individuals dividing into multiple individuals. Our mind would reject these images as accounts of material activities just as we reject reading all mythologies as history. This kind of reaction could be said to be that of Tharmas. ("a portion of the Soul discerned by the five Senses")
2)We may read Blake on a reasoning level, associating his images with thought forms or patterns which are familiar to our rational minds. So we split off various dimensions of his thought and influences and look at these objectively building systems to explain some aspect of the body of work he produced. In this case we are viewing Blake as Urizen (symbolizing Reason) would view him. Blake portrayed this level of thinking with his famous image of Newton. Image of Newton
3)At the level of emotion we may become involved with the processes he describes, as psychic realities. We begin to see our own psychological process in terms of the characteristics and functioning of Blake's Men, Emanations, and Specters. As Luvah (who include all emotions) we enter into the dynamics of the interactions among Blake's portrayals of our inner functions.
4)The level of imagination represents a transformation or conversion to a spiritual perception. At this level the spirit will speak through the words, not just with or in the words. If Blake is inspired himself, (and he seemed to believe that he was a prophet in the same sense as the OT prophets;) his words can transmit to our spirits through a direct connection with the spirit in him. This level of communication, which Blake called Imagination, was his primary interest. His time, his energy, his goods, his thought, his labor were directed toward expressing Imagination and trying to awaken it in others. Through Imagination we get the fullest understanding of Blake. Non-sensory perception is represented by Urthona (the creative imagination of the individual.)
America a Prophecy, Title Page "In the mental realm of the
prophetic cloud a female and a male philosopher are assisted by a page-turning child . The alert female is already doing so, for the girl at her back is directing us, not her, to the subtitle and the battlefield....The leaping female turns the page." (Erdman)
If we focus on which of these fourfold methods we are using to read (or to understand one another, or to teach our children, or preform various other tasks), we gain a better understanding of the meaning for Blake of fourfold vision, and a greater ability to perceive fourfold reality.
"Now I a fourfold vision see
And a fourfold vision is given to me
Tis fourfold in my supreme delight
And three fold in soft Beulahs night
And twofold Always. May God us keep
From Single vision & Newtons sleep"
Blake's ability to envision the psyche as fourfold can be used as a guide to reading Blake on for different levels.
1) It would be possible to read him at the literal level as an account of material, sensual events. This may be the most difficult way to read him because his account would be of historical characters meeting mythological or fictional ones, people being thrown into furnaces or ground up by harrows, curtains being hung in the far reaches of space, and individuals dividing into multiple individuals. Our mind would reject these images as accounts of material activities just as we reject reading all mythologies as history. This kind of reaction could be said to be that of Tharmas. ("a portion of the Soul discerned by the five Senses")
2)We may read Blake on a reasoning level, associating his images with thought forms or patterns which are familiar to our rational minds. So we split off various dimensions of his thought and influences and look at these objectively building systems to explain some aspect of the body of work he produced. In this case we are viewing Blake as Urizen (symbolizing Reason) would view him. Blake portrayed this level of thinking with his famous image of Newton. Image of Newton
3)At the level of emotion we may become involved with the processes he describes, as psychic realities. We begin to see our own psychological process in terms of the characteristics and functioning of Blake's Men, Emanations, and Specters. As Luvah (who include all emotions) we enter into the dynamics of the interactions among Blake's portrayals of our inner functions.
4)The level of imagination represents a transformation or conversion to a spiritual perception. At this level the spirit will speak through the words, not just with or in the words. If Blake is inspired himself, (and he seemed to believe that he was a prophet in the same sense as the OT prophets;) his words can transmit to our spirits through a direct connection with the spirit in him. This level of communication, which Blake called Imagination, was his primary interest. His time, his energy, his goods, his thought, his labor were directed toward expressing Imagination and trying to awaken it in others. Through Imagination we get the fullest understanding of Blake. Non-sensory perception is represented by Urthona (the creative imagination of the individual.)
America a Prophecy, Title Page "In the mental realm of the
prophetic cloud a female and a male philosopher are assisted by a page-turning child . The alert female is already doing so, for the girl at her back is directing us, not her, to the subtitle and the battlefield....The leaping female turns the page." (Erdman)
If we focus on which of these fourfold methods we are using to read (or to understand one another, or to teach our children, or preform various other tasks), we gain a better understanding of the meaning for Blake of fourfold vision, and a greater ability to perceive fourfold reality.
FOURFOLD READING
One of the better known sayings of William Blake concerns "Fourfold Vision." This is from a letter he wrote to his long term friend and supporter Thomas Butts.
"Now I a fourfold vision see
And a fourfold vision is given to me
Tis fourfold in my supreme delight
And three fold in soft Beulahs night
And twofold Always. May God us keep
From Single vision & Newtons sleep"
Blake's ability to envision the psyche as fourfold can be used as a guide to reading Blake on for different levels.
1) It would be possible to read him at the literal level as an account of material, sensual events. This may be the most difficult way to read him because his account would be of historical characters meeting mythological or fictional ones, people being thrown into furnaces or ground up by harrows, curtains being hung in the far reaches of space, and individuals dividing into multiple individuals. Our mind would reject these images as accounts of material activities just as we reject reading all mythologies as history. This kind of reaction could be said to be that of Tharmas. ("a portion of the Soul discerned by the five Senses")
2)We may read Blake on a reasoning level, associating his images with thought forms or patterns which are familiar to our rational minds. So we split off various dimensions of his thought and influences and look at these objectively building systems to explain some aspect of the body of work he produced. In this case we are viewing Blake as Urizen (symbolizing Reason) would view him. Blake portrayed this level of thinking with his famous image of Newton. Image of Newton
3)At the level of emotion we may become involved with the processes he describes, as psychic realities. We begin to see our own psychological process in terms of the characteristics and functioning of Blake's Men, Emanations, and Specters. As Luvah (who include all emotions) we enter into the dynamics of the interactions among Blake's portrayals of our inner functions.
4)The level of imagination represents a transformation or conversion to a spiritual perception. At this level the spirit will speak through the words, not just with or in the words. If Blake is inspired himself, (and he seemed to believe that he was a prophet in the same sense as the OT prophets;) his words can transmit to our spirits through a direct connection with the spirit in him. This level of communication, which Blake called Imagination, was his primary interest. His time, his energy, his goods, his thought, his labor were directed toward expressing Imagination and trying to awaken it in others. Through Imagination we get the fullest understanding of Blake. Non-sensory perception is represented by Urthona (the creative imagination of the individual.)
America a Prophecy, Title Page "In the mental realm of the
prophetic cloud a female and a male philosopher are assisted by a page-turning child . The alert female is already doing so, for the girl at her back is directing us, not her, to the subtitle and the battlefield....The leaping female turns the page." (Erdman)
If we focus on which of these fourfold methods we are using to read (or to understand one another, or to teach our children, or preform various other tasks), we gain a better understanding of the meaning for Blake of fourfold vision, and a greater ability to perceive fourfold reality.
"Now I a fourfold vision see
And a fourfold vision is given to me
Tis fourfold in my supreme delight
And three fold in soft Beulahs night
And twofold Always. May God us keep
From Single vision & Newtons sleep"
Blake's ability to envision the psyche as fourfold can be used as a guide to reading Blake on for different levels.
1) It would be possible to read him at the literal level as an account of material, sensual events. This may be the most difficult way to read him because his account would be of historical characters meeting mythological or fictional ones, people being thrown into furnaces or ground up by harrows, curtains being hung in the far reaches of space, and individuals dividing into multiple individuals. Our mind would reject these images as accounts of material activities just as we reject reading all mythologies as history. This kind of reaction could be said to be that of Tharmas. ("a portion of the Soul discerned by the five Senses")
2)We may read Blake on a reasoning level, associating his images with thought forms or patterns which are familiar to our rational minds. So we split off various dimensions of his thought and influences and look at these objectively building systems to explain some aspect of the body of work he produced. In this case we are viewing Blake as Urizen (symbolizing Reason) would view him. Blake portrayed this level of thinking with his famous image of Newton. Image of Newton
3)At the level of emotion we may become involved with the processes he describes, as psychic realities. We begin to see our own psychological process in terms of the characteristics and functioning of Blake's Men, Emanations, and Specters. As Luvah (who include all emotions) we enter into the dynamics of the interactions among Blake's portrayals of our inner functions.
4)The level of imagination represents a transformation or conversion to a spiritual perception. At this level the spirit will speak through the words, not just with or in the words. If Blake is inspired himself, (and he seemed to believe that he was a prophet in the same sense as the OT prophets;) his words can transmit to our spirits through a direct connection with the spirit in him. This level of communication, which Blake called Imagination, was his primary interest. His time, his energy, his goods, his thought, his labor were directed toward expressing Imagination and trying to awaken it in others. Through Imagination we get the fullest understanding of Blake. Non-sensory perception is represented by Urthona (the creative imagination of the individual.)
America a Prophecy, Title Page "In the mental realm of the
prophetic cloud a female and a male philosopher are assisted by a page-turning child . The alert female is already doing so, for the girl at her back is directing us, not her, to the subtitle and the battlefield....The leaping female turns the page." (Erdman)
If we focus on which of these fourfold methods we are using to read (or to understand one another, or to teach our children, or preform various other tasks), we gain a better understanding of the meaning for Blake of fourfold vision, and a greater ability to perceive fourfold reality.
Read Blake or About Blake
People interested in Blake are more apt to read
about Blake than to read Blake. Reading The Four
Zoas, Milton, or Jerusalem are awesome undertakings.
Until you've begun to understand the man's language,
it's a losing proposition. There's a core set of
metaphors that he used repeatedly, although like all
metaphors his are subject to various entonations, and
often used for an object or its opposite.
To enable intelligent reading of the major prophecies
there is a great abundance of interpretations of his
works. Where to begin??? Those of us who have made a
few steps in that direction can perhaps give a bit of
guidance to the beginning student.
Northrup Frye's Fearful Symmetry was the work that
made me a life long lover of Blake's poetry. It's not
easy; I read it five times before I was able to get
more than a few glimmers of light. But it's very
rewarding; you're likely smarter than me, in which
case one or two readings may get you well into the
big poems.
Frye was a celebrated literature critique; after
finishing Fearful Symmetry he said that if he had it
to do over, he would have written more of an
introduction than what he actually did.
The one who gave the simplest introduction for me
was Milton Percival's Circle of Destiny; it's more
systematic and more elementary.
But Kathleen Raine's Blake and Tradition was what made
me a real enthusiast. That's the most easily readable
one, and it's filled with some of Blake's loveliest
pictures. Unfortunately Blake and Tradition is out of
print now, but a fairly good substitute may be found
in her little book, Blake and Antiquity.
Put any books recommended here in Amazon's website,
and you'll find they may have an advanced price, but
page down and you most often see other copies (used
or new) on sale much more cheaply (that's the virtue
of Amazon's farm system).
There is also an amazing amount of valuable information
on line; and this website is here to help you with
any questions you may have.
Good luck with your study of William Blake.
about Blake than to read Blake. Reading The Four
Zoas, Milton, or Jerusalem are awesome undertakings.
Until you've begun to understand the man's language,
it's a losing proposition. There's a core set of
metaphors that he used repeatedly, although like all
metaphors his are subject to various entonations, and
often used for an object or its opposite.
To enable intelligent reading of the major prophecies
there is a great abundance of interpretations of his
works. Where to begin??? Those of us who have made a
few steps in that direction can perhaps give a bit of
guidance to the beginning student.
Northrup Frye's Fearful Symmetry was the work that
made me a life long lover of Blake's poetry. It's not
easy; I read it five times before I was able to get
more than a few glimmers of light. But it's very
rewarding; you're likely smarter than me, in which
case one or two readings may get you well into the
big poems.
Frye was a celebrated literature critique; after
finishing Fearful Symmetry he said that if he had it
to do over, he would have written more of an
introduction than what he actually did.
The one who gave the simplest introduction for me
was Milton Percival's Circle of Destiny; it's more
systematic and more elementary.
But Kathleen Raine's Blake and Tradition was what made
me a real enthusiast. That's the most easily readable
one, and it's filled with some of Blake's loveliest
pictures. Unfortunately Blake and Tradition is out of
print now, but a fairly good substitute may be found
in her little book, Blake and Antiquity.
Put any books recommended here in Amazon's website,
and you'll find they may have an advanced price, but
page down and you most often see other copies (used
or new) on sale much more cheaply (that's the virtue
of Amazon's farm system).
There is also an amazing amount of valuable information
on line; and this website is here to help you with
any questions you may have.
Good luck with your study of William Blake.
Read Blake or About Blake
People interested in Blake are more apt to read
about Blake than to read Blake. Reading The Four
Zoas, Milton, or Jerusalem are awesome undertakings.
Until you've begun to understand the man's language,
it's a losing proposition. There's a core set of
metaphors that he used repeatedly, although like all
metaphors his are subject to various entonations, and
often used for an object or its opposite.
To enable intelligent reading of the major prophecies
there is a great abundance of interpretations of his
works. Where to begin??? Those of us who have made a
few steps in that direction can perhaps give a bit of
guidance to the beginning student.
Northrup Frye's Fearful Symmetry was the work that
made me a life long lover of Blake's poetry. It's not
easy; I read it five times before I was able to get
more than a few glimmers of light. But it's very
rewarding; you're likely smarter than me, in which
case one or two readings may get you well into the
big poems.
Frye was a celebrated literature critique; after
finishing Fearful Symmetry he said that if he had it
to do over, he would have written more of an
introduction than what he actually did.
The one who gave the simplest introduction for me
was Milton Percival's Circle of Destiny; it's more
systematic and more elementary.
But Kathleen Raine's Blake and Tradition was what made
me a real enthusiast. That's the most easily readable
one, and it's filled with some of Blake's loveliest
pictures. Unfortunately Blake and Tradition is out of
print now, but a fairly good substitute may be found
in her little book, Blake and Antiquity.
Put any books recommended here in Amazon's website,
and you'll find they may have an advanced price, but
page down and you most often see other copies (used
or new) on sale much more cheaply (that's the virtue
of Amazon's farm system).
There is also an amazing amount of valuable information
on line; and this website is here to help you with
any questions you may have.
Good luck with your study of William Blake.
about Blake than to read Blake. Reading The Four
Zoas, Milton, or Jerusalem are awesome undertakings.
Until you've begun to understand the man's language,
it's a losing proposition. There's a core set of
metaphors that he used repeatedly, although like all
metaphors his are subject to various entonations, and
often used for an object or its opposite.
To enable intelligent reading of the major prophecies
there is a great abundance of interpretations of his
works. Where to begin??? Those of us who have made a
few steps in that direction can perhaps give a bit of
guidance to the beginning student.
Northrup Frye's Fearful Symmetry was the work that
made me a life long lover of Blake's poetry. It's not
easy; I read it five times before I was able to get
more than a few glimmers of light. But it's very
rewarding; you're likely smarter than me, in which
case one or two readings may get you well into the
big poems.
Frye was a celebrated literature critique; after
finishing Fearful Symmetry he said that if he had it
to do over, he would have written more of an
introduction than what he actually did.
The one who gave the simplest introduction for me
was Milton Percival's Circle of Destiny; it's more
systematic and more elementary.
But Kathleen Raine's Blake and Tradition was what made
me a real enthusiast. That's the most easily readable
one, and it's filled with some of Blake's loveliest
pictures. Unfortunately Blake and Tradition is out of
print now, but a fairly good substitute may be found
in her little book, Blake and Antiquity.
Put any books recommended here in Amazon's website,
and you'll find they may have an advanced price, but
page down and you most often see other copies (used
or new) on sale much more cheaply (that's the virtue
of Amazon's farm system).
There is also an amazing amount of valuable information
on line; and this website is here to help you with
any questions you may have.
Good luck with your study of William Blake.
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