TIME / ETERNITY

Larry recently posted a blog concerning the Created Good and the Creative Event. This is a follow-up on the concept of the Created Good presented in Weiman's book.

Quotes from The Source of Human Good, By Henry Nelson Wieman:

"The mere passing through the mind of innumerable meanings is not the creative event. These newly communicated meanings must be integrated with meanings previously acquired or natively developed if the creative event is to occur. This integrating is largely subconscious, unplanned and uncontrolled by the individual, save only as he may provide conditions favorable to its occurrence." Page 59

"The creative event is one that brings forth in the human mind, in society and history, and in the appreciable world a new structure of interrelatedness, whereby events are discriminated and related in a manner not before possible. It is a structure whereby some events derive from other events, through meaningful connection with them, an abundance of quality that events could not have had without this new creation." Page 65

Milton, Plate 28 [30], (E 125)
"But others of the Sons of Los build Moments & Minutes & Hours
And Days & Months & Years & Ages & Periods; wondrous buildings
And every Moment has a Couch of gold for soft repose,
(A Moment equals a pulsation of the artery) ,
And between every two Moments stands a Daughter of Beulah
To feed the Sleepers on their Couches with maternal care.
And every Minute has an azure Tent with silken Veils.
And every Hour has a bright golden Gate carved with skill.
And every Day & Night, has Walls of brass & Gates of adamant,
Shining like precious stones & ornamented with appropriate signs:
And every Month, a silver paved Terrace builded high:
And every Year, invulnerable Barriers with high Towers.
And every Age is Moated deep with Bridges of silver & gold.
And every Seven Ages is Incircled with a Flaming Fire.
Now Seven Ages is amounting to Two Hundred Years
Each has its Guard. each Moment Minute Hour Day Month & Year.
All are the work of Fairy hands of the Four Elements
The Guard are Angels of Providence on duty evermore
Every Time less than a pulsation of the artery
Is equal in its period & value to Six Thousand Years.
PLATE 29 [31]
For in this Period the Poets Work is Done: and all the Great
Events of Time start forth & are concievd in such a Period
Within a Moment: a Pulsation of the Artery."

This is the creative event, Eternity exploding into time's framework.

James Rieger in Sublime Allegory, Page 272, in trying to explain Los' work, has this to say:
"Narrative time is a mere device in Milton and Jerusalem, a sequential representation of two eternal moments that by definition lack extension. Nevertheless, Frye correctly regards one as Resurrection and the other as the Last Judgment, corresponding to the first and second coming of Jesus. Each is its own split-second but one follows the other."

Not the created good but the creative event! Recurring whenever Eternity breaks into time!

IMAGINATION

Songs of Innocence and Experience, Nurse's Song (E 15)

"When the voices of children are heard on the green
And laughing is heard on the hill,
My heart is at rest within my breast
And every thing else is still

Then come home my children, the sun is gone down
And the dews of night arise
Come come leave off play, and let us away
Till the morning appears in the skies

No no let us play, for it is yet day
And we cannot go to sleep
Besides in the sky, the little birds fly
And the hills are all coverd with sheep

Well well go & play till the light fades away
And then go home to bed
The little ones leaped & shouted & laugh'd
And all the hills ecchoed"

Here is a simple poem about playing children. But there is more than that. It is about the life of the imagination which to Blake is not a state but existence itself. We get a clue in the first verse: 'My heart is at rest within my breast, And every thing else is still.' This is the moment Blake speaks about in Milton:

PLATE 29 [31] (E 127)
For in this Period the Poets Work is Done: and all the Great
Events of Time start forth & are concievd in such a Period
Within a Moment: a Pulsation of the Artery.

Blake calls the Human Imagination the 'Divine Vision & Fruition In which Man liveth eternally.'

Imagination in children needs to recognized and cultivated, allowed expression in play and dreaming and creating. But the imagination is not outgrown. We shouldn't put our imaginations to sleep when we put away childish things. The world may try to take away our playfulness and creativity but we don't have to let it.

Romans12:2
"Don't let the world around you squeeze you into its own mould, but let God re-mould your minds from within, so that you may prove in practice that the plan of God for you is good, meets all his demands and moves towards the goal of true maturity."

Jerusalem, Plate 77 (E 231)

"I know of no other
Christianity and of no other Gospel than the liberty both of body
& mind to exercise the Divine Arts of Imagination.
Imagination the real & eternal World of which this Vegetable
Universe is but a faint shadow & in which we shall live in our
Eternal or Imaginative Bodies, when these Vegetable Mortal Bodies
are no more."

RECREATED

Blake's Sublime Allegory continues to be a fertile source for gaining understanding of Blake message. This is from the chapter, Blake's Radical Comedy, by W.J.T. Mitchell, page 305.

"The second thing we ought to notice is that the courage required for self-annihilation is not in itself sufficient to redeem either the self or the world. Milton's act would remain within the fruitless cycle of creation and destruction which continues to trap the male imagination, even after his descent, if it were not for Ololon's response, her renewal to life to balance his descent to death. Ololon's final transformation into an ark and a dove, the bearer and messenger of life amidst the annihilating flood, occurs when she casts off her false femininity. Her seeking out Milton reverses the traditional passive role of the virtuous heroine in epic and romance, but she does not escape this role by becoming a female warrior, a woman in the armor of a man. "A Female hidden in a Male, Religion hidden in War" (40:20). On the contrary, she sees that the stereotypes ruling the behavior of both sexes are the basis for the vicious cycle which entraps the best efforts of Milton and the sons of Los, and that these roles must be annihilated and recreated as human relationships before the cycle can be broken and transformed into the fruitful, liberating dialectic of contraries."

In this short passage and the pages surrounding it, we get help in understanding many of Blake's concepts.

1)First that annihilation is not the total solution for redemption. Annihilation is the 'bottom', the point where regeneration can begin in the individual and society.

2)The relationship of the male and female, the active and the receptive, are necessary ingredients in breaking the cyclical pattern called the Orc cycle (construction and destruction repeating itself.)

3)The female's role is not adopting the male's attitude of making the opposite sex into a 'commodity', but relinquishing the female attitude of jealousy of the males role as initiator.

4)The contribution of the female is to be the carrier of life and hope through which male and female can regenerate a relationship based on Human (unified), attitudes rather than Sexual (divided), attitudes.

5)Contraries are redeemed when the Negative of seeing them as being opposed to one another rather complementing one another, is annihilated.

Milton, Plate 35 [39], (E 135)
"O how the Starry Eight rejoic'd to see Ololon descended!
And now that a wide road was open to Eternity,"

Plate 40 [46] (E 142)
"But turning toward Ololon in terrible majesty Milton
Replied. Obey thou the Words of the Inspired Man
All that can be annihilated must be annihilated

That the Children of Jerusalem may be saved from slavery
There is a Negation, & there is a Contrary
The Negation must be destroyd to redeem the Contraries
The Negation is the Spectre; the Reasoning Power in Man
This is a false Body: an Incrustation over my Immortal
Spirit; a Selfhood, which must be put off & annihilated alway
To cleanse the Face of my Spirit by Self-examination.

PLATE 41 [48]
To bathe in the Waters of Life; to wash off the Not Human
I come in Self-annihilation & the grandeur of Inspiration
To cast off Rational Demonstration by Faith in the Saviour
To cast off the rotten rags of Memory by Inspiration
To cast off Bacon, Locke & Newton from Albions covering
To take off his filthy garments, & clothe him with Imagination
To cast aside from Poetry, all that is not Inspiration
Then trembled the Virgin Ololon & replyd in clouds of despair

Is this our Femin[in]e Portion the Six-fold Miltonic Female
Terribly this Portion trembles before thee O awful Man
Altho' our Human Power can sustain the severe contentions
Of Friendship, our Sexual cannot: but flies into the Ulro.
Hence arose all our terrors in Eternity! & now remembrance
Returns upon us! are we Contraries O Milton, Thou & I
O Immortal! how were we led to War the Wars of Death
Is this the Void Outside of Existence, which if enterd into

PLATE 42 [49]
Becomes a Womb? & is this the Death Couch of Albion
Thou goest to Eternal Death & all must go with thee

So saying, the Virgin divided Six-fold & with a shriek
Dolorous that ran thro all Creation a Double Six-fold Wonder!
Away from Ololon she divided & fled into the depths
Of Miltons Shadow as a Dove upon the stormy Sea.

Then as a Moony Ark Ololon descended to Felphams Vale
In clouds of blood, in streams of gore, with dreadful thunderings
Into the Fires of Intellect that rejoic'd in Felphams Vale
Around the Starry Eight: with one accord the Starry Eight became
One Man Jesus the Saviour. wonderful! round his limbs
The Clouds of Ololon folded as a Garment dipped in blood
Written within & without in woven letters: & the Writing
Is the Divine Revelation in the Litteral expression:
A Garment of War, I heard it namd the Woof of Six Thousand Years"

Jesus the Savior

Three Classes of Men II

From Milton, Plate 25, (E 121):
"The Elect is one Class: You Shall bind them separate: they cannot Believe in Eternal Life Except by Miracle & a New Birth. The other two Classes;
The Reprobate who never cease to Believe, and the Redeemed, Who live in doubts & fears, perpetually tormented by the Elect".

Blake in his characteristic way, uses familiar words in unfamiliar ways. He takes three words from religion: Elect, Redeemed and Reprobate, and redefines them to make us reconsider how God relates to man and how man's psyche functions.

The Elect whom we think of as the chosen who have won God's approval become those who
"cannot Believe in Eternal Life
Except by Miracle & a New Birth".

The Reprobate whom we think of as failures and outcasts become those "who never cease to Believe."

The Redeemed whom we think of as knowing that they have been forgiven for their sins become those "Who live in doubts & fears perpetually tormented by the Elect."

From Ellie:
"When I try to connect the Three Classes of Men with aspects of the psyche, this is what I see.

The Elect wants to preserve the status quo. The Elect can be equated with the Ego which has charge of the personality, negotiating among the Id, the Superego and the reality principle. The Ego is the boss and decides how to express the personality. (The self-appointed Top Dog.)

The Reprobate are the outsiders, the aspects of the personality which are unrecognized or unacceptable. The Reprobate is parallel to the Shadow in Jung which contains whatever the Ego has rejected and denies expression to. The Shadow contains undiscovered but valuable material.

The expanding or awakening consciousness which is the true human, sometimes referred to as the Identity by Blake, or the Self by Jung, is the Redeemed. The Self connects the Ego, the Shadow and the collective unconscious. The Identity connects Albion, the wholeness of the individual, with Eternal wholeness. The process of developing the Self or the Identity is a long struggle of gradually bringing to light hidden material and realigning internal and external relationships.

The psychological approach to studying Blake asks us to look within for congruence between Blake's ideas and the dynamics of our psyches. Blake's myths and images can reveal to us aspects of ourselves; our self-understanding can enrich our reading of Blake."
-----------------------------------------------------
From Larry:
Here's the earlier post:
In MHH we met two classes: angels and devils.
Blake ironically names free spirits as devils and
good dutifull church goers (and other
establishment types) as angels.

Los and his 'emanation', Enitharmon "bore an enormous race" (not only mankind, but every other created thing as well). But in particular Enitharmon's progeny consists of three classes:

From Milton Plate 7 :
The first the Elect from the foundation of the World, symbolized here by Satan.
The second, the Redeem'd, symbolized by Palamabron.
The third, The Reprobate, symbolized by Rintrah.

The Bard's Song begins Blake's description of how
these three classes of men relate.

To Rintrah (the just man) was assigned the plow.

To Palamabron, a kind and gentle boy (not a strong
minded one), was assigned the harrow.

Satan (Selfhood) was assigned to the mills.

Rintrah and Palamabron are contraries; Satan is a
negation.

In the Bard's Song those were the three
assignments of Enitharmon's three sons.

A post could be written about the plow (See Damon
329); the plow of Rintrah might be the heated
words of the prophet that denounces and breaks up
the corrupt establishment. (It might be several
other things as well.)

The harrow follows the plow; for Blake it was a
metaphor for redemptive poetry.

The Mill symbolizes Reason-- conservative, reducing the creative to the commonplace. But it may have been born in Blake's mind from the insidious mills brought about by the Industrial Revolution which impoverished so many people.

Los of course was the father of these three boys,
a farmer-- the World being his field. He had
expressly forbidden Satan from using the harrow.
But Satan wheedled his amicable brother,
Palamabron into letting him use the harrow.

This led to disaster (the kind of disaster we have
all lived under most of our lives).

A simpler (and probably better) explanation of the Bard's Song can be found at The Farrm at Felpham, but you may have to join the Yahoo William Blake group to gain access to it.

All this was part of the tale told by the Bard at
an Eternal gathering. The Bard's Song induced
Milton to forsake heaven and return to the Earth
to correct the errors of his mortal life. Milton's
adventures in the World with Los and Blake is the
subject of Blake's Milton.

There is much more to the Bard's Song, but this
will give you a beginning. Learn the Bard's Song,
and you will find it much easier to enjoy Milton,
the first of Blake's two major works.

3 CLASSES of MEN

Milton, Plate 25, (E 121)

"The Elect is one Class: You
Shall bind them separate: they cannot Believe in Eternal Life
Except by Miracle & a New Birth. The other two Classes;
The Reprobate who never cease to Believe, and the Redeemed,
Who live in doubts & fears, perpetually tormented by the Elect".

Blake in his characteristic way, uses familiar words in unfamiliar ways. He take three words from religion: Elect, Redeemed and Reprobate, and redefines them to make us reconsider how God relates to man and how man's psyche functions.

The Elect whom we think of as the chosen who have won God's approval become those who
"cannot Believe in Eternal Life
Except by Miracle & a New Birth".

The Reprobate whom we think of as failures and outcasts become those "who never cease to Believe."

The Redeemed whom we think of as knowing that they have been forgiven for their sins become those "Who live in doubts & fears perpetually tormented by the Elect."

When I try to connect the Three Classes of Men with aspects of the psyche, this is what I see.

The Elect wants to preserve the status quo. The Elect can be equated with the Ego which has charge of the personality, negotiating among the Id, the Superego and the reality principle. The Ego is the boss and decides how to express the personality. (The self-appointed Top Dog.)

The Reprobate are the outsiders, the aspects of the personality which are unrecognized or unacceptable. The Reprobate is parallel to the Shadow in Jung which contains whatever the Ego has rejected and denies expression to. The Shadow contains undiscovered but valuable material.

The expanding or awakening consciousness which is the true human, sometimes referred to as the Identity by Blake, or the Self by Jung, is the Redeemed. The Self connects the Ego, the Shadow and the collective unconscious. The Identity connects Albion, the wholeness of the individual, with Eternal wholeness. The process of developing the Self or the Identity is a long struggle of gradually bringing to light hidden material and realigning internal and external relationships.

The psychological approach to studying Blake asks us to look within for congruence between Blake's ideas and the dynamics of our psyches. Blake's myths and images can reveal to us aspects of ourselves; our self-understanding can enrich our reading of Blake.

Ego, Self, or Shadow?

There is more about the Three Classes of Men on another blog post.

MILTON'S TASK

In The Illuminated Blake, Erdman goes through the illuminated works of William Blake plate by plate describing what he sees. This is not a commentary on the text, but on the images. But the text illuminates the pictures, just as the pictures illuminate the text.

Let's have a look at Milton, Plate 19, (E 110). Click on image and page down for enlarged view.

Without Erdman's explanation this image at the bottom of the page would be difficult to understand. Says Erdman, "Los shoots his limbs forth 'like the roots of trees' - and we see that he is almost headless...Urizen, nothing but head, peers from the ground and beholds 'the immortal Man'...Milton's task is to annihilate their separation...Looking at Plate 18 we can see that Milton is replacing Urizen's head."

Erdman considers this to be a representation of events in the poem, but also commentary on the politics of England. Milton was a supporter of the Civil War of 1649 which separated England's 'head and body'; "But the naked Milton now confronts the problem of making whole what is already asunder, of resurrecting the Spiritual Body."

So this is another expression of the old task of reconciling the division between Los and Urizen, imagination and reason, spirit and body, as well as the republicans and the monarchists.

Read more about it in Chapter 24 of Erdman's Prophet Against Empire including, "The moral is that Satan must be forgiven or vengeful slaughter will never end."

Religion and War

No commited Christian ever had a more antagonistic relationship to the church than William Blake. This, probably more than anything else, has prevented wider recognition of his spiritual genius. Like Paul he became an apostle to the gentiles and suffered the attacks of the orthodox. In his non-allegiance to the organized church Blake is in good company: Milton, Emerson, Whitman, Lincoln, and Gandhi all refused the church for essentially the same reasons--it never was what it purported to be.

Has there ever been a British (or American) war that the Religious Establishment hasn't approved and supported? The Bloody Sword subsumed the Prince of Peace. Nothing in Blake's world led to greater concern than this unpleasant reality.

The original Covering Cherub was the Prince of Tyre, a tyrannizer over the sacred soil of God's Chosen People. Ezekiel had something to say about that (I wonder if WB consulted with him on that point).

Milton, plate 37:
"...Abraham, Moses, Solomon, Paul, Constantine, Charlemaine, Luther, these seven are the Male-Females, the Dragon Forms Religion hid in War, a Dragon red & hidden Harlot. All these are seen in Miltons Shadow who is the Covering Cherub.."

And again: Jerusalem, plate 89:
"...Thus was the Covering Cherub reveald majestic image of Selfhood, Body put off, the Antichrist accursed Coverd with precious stones, a Human Dragon terrible And bright, stretchd over Europe & Asia gorgeous.In three nights he devourd the rejected corse Hidden within the Covering Cherub as in a Tabernacle Of threefold workmanship in allegoric delusion & woe .........A Double Female now appeard within the Tabernacle, Religion hid in War, a Dragon red & hidden Harlot Each within other, but without a Warlike Mighty-one Of dreadful power, sitting upon Horeb pondering dire And mighty preparations mustering multitudes innumerable of warlike sons..."

Well it looks like the Mighty-one of dreadful power sitting on Horeb seems to have instituted State Religion.

Religion and War

No commited Christian ever had a more antagonistic relationship to the church than William Blake. This, probably more than anything else, has prevented wider recognition of his spiritual genius. Like Paul he became an apostle to the gentiles and suffered the attacks of the orthodox. In his non-allegiance to the organized church Blake is in good company: Milton, Emerson, Whitman, Lincoln, and Gandhi all refused the church for essentially the same reasons--it never was what it purported to be.

Has there ever been a British (or American) war that the Religious Establishment hasn't approved and supported? The Bloody Sword subsumed the Prince of Peace. Nothing in Blake's world led to greater concern than this unpleasant reality.

The original Covering Cherub was the Prince of Tyre, a tyrannizer over the sacred soil of God's Chosen People. Ezekiel had something to say about that (I wonder if WB consulted with him on that point).

Milton, plate 37:
"...Abraham, Moses, Solomon, Paul, Constantine, Charlemaine, Luther, these seven are the Male-Females, the Dragon Forms Religion hid in War, a Dragon red & hidden Harlot. All these are seen in Miltons Shadow who is the Covering Cherub.."

And again: Jerusalem, plate 89:
"...Thus was the Covering Cherub reveald majestic image of Selfhood, Body put off, the Antichrist accursed Coverd with precious stones, a Human Dragon terrible And bright, stretchd over Europe & Asia gorgeous.In three nights he devourd the rejected corse Hidden within the Covering Cherub as in a Tabernacle Of threefold workmanship in allegoric delusion & woe .........A Double Female now appeard within the Tabernacle, Religion hid in War, a Dragon red & hidden Harlot Each within other, but without a Warlike Mighty-one Of dreadful power, sitting upon Horeb pondering dire And mighty preparations mustering multitudes innumerable of warlike sons..."

Well it looks like the Mighty-one of dreadful power sitting on Horeb seems to have instituted State Religion.

GARMENTS

A way of looking at images in Blake in regard to being clothed
or unclothed is demonstrated by these three images.

In the first is Milton fresh from his sojourn in Eternity,
prepared to undertake the mission that Blake has assigned
him. His lack of clothing is symbolic of his being outside of
the world of materiality which he will soon rejoin.

Milton

Second we look at the image of Los, which is from the
beginning of Jerusalem as our first image is from the
beginning of Milton. Erdman points out that the
positioning of the bodies of these two represents a
mirror image. Unlike Milton, Los is clothed. This is the
reversal of what we would expect if we were thinking
naturally, since Milton is a human and Los is an
Eternal. But the character Los, in the poem
Jerusalem, is playing the opposite role to that
played by Milton. He is leaving the material world to
enter the stage where the Eternal drama will unfold.

Los

Our third image is of Urizen, clothed in a robe which
seems to grow from his body as he is entering the dark
world of his own creation. In other words he doesn't
just wear the garment, he is the garment.

Urizen

From this I understand that the degree of clothing can
be used to hide or reveal the character's spiritual
activity or condition.

The Selfhood

Be ye therefore perfect. (Matthew 5:48)
In the Preface to The Great Divorce C. S. Lewis wrote:
"if we accept Heaven we shall not be able to retain even the smallest and most intimate souvenirs of Hell." We may have to give up our right hand or our right eye.

Egocentricity, Self-centeredness, Narcissism, Selfishness, contempt for the 'neighbor', etc. etc! These are some of the attributes that Blake grouped together into the image of "The Selfhood". Blake saw these and other similar traits within himself; he saw them in others, and he saw them in the world.

For twenty years he fought injustice, greed, chicanery, deceit, exploitation; in all those things he was very much of a negative thinker. But at some point he turned: he was forgiven; he turned positive although he understood all too well that he, we, the world must annihilate the Selfhood in order to reach Eternity.

Blake also used the term 'Spectre'; it too was to be annihilated.
In the poem, Milton, we hear from the mouth of 'Milton' speaking to his Spectre:
"Such are the .......Laws of Eternity, that each shall mutually
Annihilate himself for others' good, as I for thee. . . .

In Self annihilation all that is not of God alone,
To put off Self and all I have, ever & ever . . ." (Milton plate 39; Erdman 139)

And "The Negation is the Spectre, the Reasoning Power in Man:
This is a false Body, an Incrustation over my Immortal
Spirit, a Selfhood which must be put off & annihilated alway. " (Milton 40; Erdman 142)

The Selfhood

Be ye therefore perfect. (Matthew 5:48)
In the Preface to The Great Divorce C. S. Lewis wrote:
"if we accept Heaven we shall not be able to retain even the smallest and most intimate souvenirs of Hell." We may have to give up our right hand or our right eye.

Egocentricity, Self-centeredness, Narcissism, Selfishness, contempt for the 'neighbor', etc. etc! These are some of the attributes that Blake grouped together into the image of "The Selfhood". Blake saw these and other similar traits within himself; he saw them in others, and he saw them in the world.

For twenty years he fought injustice, greed, chicanery, deceit, exploitation; in all those things he was very much of a negative thinker. But at some point he turned: he was forgiven; he turned positive although he understood all too well that he, we, the world must annihilate the Selfhood in order to reach Eternity.

Blake also used the term 'Spectre'; it too was to be annihilated.
In the poem, Milton, we hear from the mouth of 'Milton' speaking to his Spectre:
"Such are the .......Laws of Eternity, that each shall mutually
Annihilate himself for others' good, as I for thee. . . .

In Self annihilation all that is not of God alone,
To put off Self and all I have, ever & ever . . ." (Milton plate 39; Erdman 139)

And "The Negation is the Spectre, the Reasoning Power in Man:
This is a false Body, an Incrustation over my Immortal
Spirit, a Selfhood which must be put off & annihilated alway. " (Milton 40; Erdman 142)

Some Significant Symbols

Much of this is taken from Digby's 'Symbol and Image in William Blake':

ALBION (Glad Day) was Blake's name for Everyman, Adam Kadman, Cosmic Man, the Eternal Great Humanity Divine (See Milton, plates 2 and 30) or in Quakereze 'that of God in Everyone'. Albion asleep is an apt commentary on Blake's age-- and ours.

"Every human life is part of Albion and can realize more or less the Cosmic Man's total nature... Albion suffers and triumphs in each individual, as is described in ...Jerusalem
..The Dance of Eternal Death" Digby p.12.

ETERNAL DEATH: Blake used this phrase 78 times; it's mortal life;I translate it to 'this vale of tears', the Sea of Time and Space from which we may emerge at the end; "whenever any Individual Rejects Error & Embraces Truth a Last Judgment passes upon that Individual.." [[A Vision of the Last Judgment] PAGE 85] (Erdman 562)

From Milton: In Heaven, having heard the Bard's Song,
"Milton said, I go to Eternal Death! The Nations still
Follow after the detestable Gods of Priam; in pomp
Of warlike selfhood, contradicting and blaspheming.
When will the Resurrection come; to deliver the sleeping body.."

JERUSALEM: This image cannot be defined; we can only begin a journey of 1000 miles. The Concordance has 288 occurences and Damon has 7 pages trying to describe it. Blake used it as the title for his largest poem; 'Jerusalem' the (smaller) poem, appears in the Preface to Milton (and in many hymnbooks): "till we have built Jerusalem in Englands green and pleasant land."

Jerusalem is the bride of Christ (the conventional church considers itself to be the bride of Christ, but to Blake the bride of Christ was the human race). Jerusalem was Albion's wife-- until he went to sleep; at that point he turned to Vala.

VALA is fallen Jerusalem. A picture is worth a thousand words, and the relationship betwem Vala and Jerusalem can be best understood in this plate (click on the pic for an enlargement). Jerusalem stands out in light with (supposedly) her three daughter, while Vala, in a dark vale, attempts to entice Jerusalem into her darkness. The two battle through The Four Zoas and Jerusalem (the large poem). In your life you can see the 'good girl' and 'bad girl' fighting for supremacy. A woman may become a thief, and/or she may give birth to a spiritual genius. Such is life.

Blake did not believe in 'good and bad'; he believed in Truth and Error. At the Last Judgment Error is burned up and we live (eternally) in Truth.

GOD & MAN

Nothing interested Blake more than the relationship of man and God. One way he saw his purpose in life was to 'open the minds of men to a perception of the Infinite'. Because he knew that religion was supposed to serve that purpose for man, he was appalled by false religions which separated God from man, and man from man.

False religions he recognized as taking many forms. Here are some:

Creating individual requirements and forcing them on others;

Milton, Plate 11 (E103)
Where Satan making to himself Laws from his own identity.
Compell'd others to serve him in moral gratitude & submission
Being call'd God: setting himself above all that is called God.

Naming behaviors sin and devising punishments;

Milton, Plate 9 (E102)
He created Seven deadly Sins drawing out his infernal scroll,
Of Moral laws and cruel punishments upon the clouds of Jehovah
To pervert the Divine voice in its entrance to the earth
With thunder of war & trumpets sound, with armies of disease
Punisbments & deaths musterd & number'd; Saying I am God alone
There is no other! let all obey my principles of moral individuality

Using religion to confine perception to that of the senses;

Song of Los, Plate 4, (E 68)
Thus the terrible race of Los & Enitharmon gave
Laws & Religions to the sons of Har binding them more
And more to Earth: closing and restraining:
Till a Philosophy of Five Senses was complete
Urizen wept & gave it into the hands of Newton & Locke

Assuming the role of intermediary between God and man through secrecy;

Urizen, Plate 2, (E 70)
Of the primeval Priests assum'd power,
When Eternals spurn'd back his religion;
And gave him a place in the north,
Obscure, shadowy, void, solitary.

Creating terror, despair and cruelty through self-righteousness;

Milton, Plate 22, (E 116)
Miltons Religion is the cause: there is no end to destruction!
Seeing the Churches at their Period in terror & despair:
...
Asserting the Self-righteousness against the Universal Saviour,
Mocking the Confessors & Martyrs, claiming Self-righteousness;
With cruel Virtue: making War upon the Lambs Redeemed;
To perpetuate War & Glory. to perpetuate the Laws of Sin:

Forbidding the joys that flow from following God;

Jerusalem, Plate 9, (E 151)
Every Emanative joy forbidden as a Crime:
And the Emanations buried alive in the earth with pomp of religion:
Inspiration deny'd; Genius forbidden by laws of punishment:
I saw terrified;

Creating a mask that obscures the true relationship of man and God;

Jerusalem, Plate 38, (E 184)
A pretence of Art, to destroy Art: a pretence of Liberty
To destroy Liberty. a pretence of Religion to destroy Religion

Allowing consciousness of of sin to obscure consciousness of the spirit;

Jerusalem, Plate 41, (E 188)
Alas!--The time will come, when a mans worst enemies
Shall be those of his own house and family: in a Religion
Of Generation, to destroy by Sin and Atonement, happy Jerusalem,
The Bride and Wife of the Lamb. O God thou art Not an Avenger!

Worshiping satan instead of God;

Jerusalem, Plate 52, (E 200)
Will any one say: Where are those who worship Satan under the
Name of God! Where are they? Listen! Every Religion that Preaches
Vengeance for Sins the Religion of the Enemy & Avenger; and not
the Forgiver of Sin, and their God is Satan, Named by the Divine
Name Your Religion O Deists: Deism, is the Worship of the God
of this World by the means of what you call Natural Religion and
Natural Philosophy, and of Natural Morality or
Self-Righteousness, the Selfish Virtues of the Natural Heart.
This was the Religion of the Pharisees who murderd Jesus. Deism
is the same & ends in the same.

Imposing chastity which divides man from woman;

Jerusalem, Plate 69, (E 222)
A Religion of Chastity, forming a Commerce to sell Loves
With Moral Law, an Equal Balance, not going down with decision
Therefore the Male severe & cruel filld with stern Revenge:
Mutual Hate returns & mutual Deceit & mutual Fear.

Bringing hate and destruction under the guise of religion;

Jerusalem, Plate 77, (E 231)
I stood among my valleys of the south
And saw a flame of fire, even as a Wheel
Of fire surrounding all the heavens: it went
From west to cast against the current of
Creation and devourd all things in its loud
Fury & thundering course round heaven & earth
...
And I asked a Watcher & a Holy-One
Its Name? he answerd. It is the Wheel of Religion

God Answers Job out of the Whirlwind _____________________________________________
Making a concise statement about the nature of true religion, Carl Jung has this to say:

"The religious attitude is quite different from faith associated
with a specific creed. The latter, as a codified and
dogmatized form of an original religious experience, simply
gives expression to a particular collective belief. True religion
involves a subjective relationship to certain metaphysical,
extramundane factors."
Carl Jung, The Undiscovered Self, Complete Works,
Vol. 10, par. 507

Perennial Reader

Everyone knows that William Blake was a great reader. What isn't generally known; what is in fact a great mystery is where he got the books or where he did the reading. I haven't succeeded in finding any information about that (tell me if there is any).

Blake went to school for part of one day; that's all the formal education he seems to have acquired. Of course he had some journeyman training. However he appeared to be the most learned person of his generation, which makes him what we call an autodidact -- self-educated.

Very likely his learning began with the Bible; that's demonstrated by the use he made of the Bible in his creative work. He had a thorough acquaintance with the Bible, but he never confined himself to a literal understanding; he didn't see it as history -- no, as poetry. The primary difference is that poetry is susceptible to various meanings, depending on the perception of the reader. Likewise the meaning of any element of the Bible is various, depending on the perception of the reader.

Among the Books of the Bible that he favored he named Ezra and Isaiah; but in MHH he mentioned Ezekiel; he had a conversation with Ezekiel (plate 13). Some of his works demonstrated a considerable acquaintance with Revelation, in the same way that John had shown an extensive acquaintance with The Old Testament.

In a Letter to Flaxman Blake wrote:

"Now my lot in the Heavens is this; Milton
lovd me in childhood & shewd me his face, Ezra
came with Isaiah the Prophet, but Shakespeare in
riper years gave me his hand; Paracelsus & Behmen
appeard to me."

If you're serious about William Blake here's your reading list:

Jacob Boehme: Aside from the Bible nothing meant more to Blake than William Law's translation of this German mystic (some would say Gnostic). The more of Boehme you read, the more Blake you will see and understand. (the English called him Behmen.)

John Milton: Blake identified strongly with Milton -- and had some marked differences with him. Paradise Lost had a great influence on him. In Plate 6 of MHH he said that Milton "was a true Poet and of the Devils party without knowing it". In Vision, writing The Book of Milton he found it necessary to call Milton back from Heaven to correct his spiritual mistakes (much like God sent his Son to save the world).

Swedenborg: Blake's parents had been attracted to this Swedish philosopher and mystic. He and his wife likely attended the Swedenborg Church in London. But he soon saw the man's deficiencies -- and lampooned him in some early works. He undoubtedly learned something from Swedenborg and lamented about him in Milton, "O Swedenborg! strongest of men, the Samson shorn by the Churches! "

Shakespeare is given by Blake as one of his significant literary relationships. I haven't found that in reading Blake. David Whitmarsh apparently has a lot of say on that score.

Paracelsus (1493-1541): To learn how this man affected Blake you might best consult Milton Percival's Circle of Destiny (probably the best introduction to Blake). He has a chapter on Alchemical Symbolism, and reading this will help you understand how and why the furnaces come up so often in the major prophecies.

Although Thomas Taylor was one year younger than Blake, his translations of Plato and the Neo-Platonists led our poet's interests emphatically in that direction. Thereafter the Greek and Roman myths loomed large in Blake's poetry and pictures.

Homer was a major source for Blake's works. Although he expressed some contempt for Homer, he drew heavily on Homer's stories, using Ovid more often than Homer himself. To get some understanding of how Blake used Homer take a look at my file on myths. The Sea of Time and Space is directly about the Odyssey, a pictorial description in fact (of course it's about a lot of other things as well).

Hermes Trismegistus was a special interest of Blake's as well as a dozen similar arcane and esoteric works too numerous to discuss in this post. But perhaps there will be more to come.

LAST VINTAGE

Egg Shaped World of Los

Blake managed to remain upbeat in his expectation for the outcome of the grand experiment which we know as life and intelligence. We too, with consciousness and vision, may become aware of the possibility of Eternity becoming manifest in all creation. Milton Percival ( William Blake's Circle of Destiny, Page 248.) outlines Blake's struggle in delineating and living the faith he had in God's wisdom and mercy. Percival's words:

"It is none too certain, however, that the world will take the path of deliverance. An outward and feminine religion of Mystery challenges the masculine gospel of Christ. But when Mystery is at last stripped of its trappings, and the grinning skeleton of Deism stands revealed, it is time for the Last Judgment. With Deism the wheel of Natural Religion, which began its circuit centuries ago, has swung full circle, and must now submit to Christ or swing round once again. Which will it do? Will the world today, having come to the edge of the abyss over the path of mutual fear, renounce that policy and enter into the ways of peace? Are we purged and pure - true gold - or must we be cast, as dross, once more into the furnaces of affliction? The question haunted Blake, as it haunted Shelly. The prophet in him, especially around the year 1790, filled him with hope of the great renunciation. The Spectre in him pointed out the power of error to renew itself. Where Babylon ends Babylon might begin again. Generation might not be swallowed up in regeneration. This fear is never absent from Los's mind or Blake's. Los's Herculean efforts are necessary, that the "wheel of religion" may disappear in the current of creation." He dare not relinquish his activities, lest the creation itself (the egg-shaped world of Los, and Blake's symbol for what had already been accomplished in a regenerative way) be destroyed. But, though Blake's fear was great, his will to believe was greater. He persuaded himself that man would take the path of Job taken in the Illustrations. He would cast his pride and selfhood (which betrayed him into the cruelty of Natural Religion) into the lake of fire, and be transformed into the likeness of Christ."

Milton, Plate 24 , (E 118)

"But Los dispersd the clouds even as the strong winds of Jehovah,

And Los thus spoke. O noble Sons, be patient yet a little
I have embracd the falling Death, he is become One with me
O Sons we live not by wrath. by mercy alone we live!
I recollect an old Prophecy in Eden recorded in gold; and oft
Sung to the harp: That Milton of the land of Albion.
Should up ascend forward from Felphams Vale & break the Chain
Of jealousy from all its roots; be patient therefore O my Sons
These lovely Females form sweet night and silence and secret
Obscurities to bide from Satans Watch-Fiends. Human loves
And graces; lest they write them in their Books, & in the Scroll
Of mortal life, to condemn the accused: who at Satans Bar
Tremble in Spectrous Bodies continually day and night
While on the Earth they live in sorrowful Vegetations
O when shall we tread our Wine-presses in heaven; and Reap
Our wheat with shoutings of joy, and leave the Earth in peace
Remember how Calvin and Luther in fury premature
Sow'd War and stern division between Papists & Protestants
Let it not be so now! O go not forth in Martyrdoms & Wars
We were plac'd here by the Universal Brotherhood & Mercy
With powers fitted to circumscribe this dark Satanic death
And that the Seven Eyes of God may have space for Redemption.
But how this is as yet we know not, and we cannot know;
Till Albion is arisen; then patient wait a little while,
Six Thousand years are passd away the end approaches fast;
This mighty one is come from Eden, he is of the Elect,
Who died from Earth & he is returnd before the Judgment.
This thing Was never known that one of the holy dead should willing return
Then patient wait a little while till the Last Vintage is over:"

Angel of Revelation

Percival obviously shared Blake's fears and his faith, as well as his strenuous effort on the part of regeneration.

7 EYES OF GOD

Seven Eyes of God from Illustration of the Book of Job
click on picture for enlargement; the date indicates that this is one of Blake's last works.

When Divine Spirits fall into the world of mortality, they are not left unprotected. The Eternals elected seven of their own to guide and protect them until the day of their return. These seven are the Seven Eyes of God. Blake sees them as forming structures which allow the Soul to exist in the conditions and stage of development in which the Soul finds itself. Each of the Seven eyes is associated with a historic period of religious development. So they may be seen as the evolution of Spiritual consciousness in the collective society. Thus Blake calls the seven by names of characters prominent in Biblical accounts:
Lucifer, Molech, Elohim, Shaddai, Pahad, Jehovah, Jesus.

Like the world of Generation, they are created as mercies that man may not fall into the abyss of non-existence. They are not perfect solutions to the condition of man. Percival identifies the chief characteristic of each stage. Lucifer is pride, Molech is impatience, Elohim is vengeance, Shaddai is anger, Pachad is fear, Jehovah is mystery, and Jesus is deliverance. 'The Seven are one within the other'. (Four Zoas, Page 21)

The psychic stages through which man passes, frequently follow the same path that is represented by the progression through the Seven Eyes. Blake's Illustrations of the Book of Job presents the development of Job's relationship to God as progressing through the Seven Eyes and returning. During the process Job's psyche is altered as well as is his perception of God.

Here are the six passages in which Blake mentions the Eyes of God:
1) Four Zoas, Page 21, (E 312)
"So spoke the Messengers of Beulah. Silently removing
The Family Divine drew up the Universal tent
Above High Snowdon & closd the Messengers in clouds around
Till the time of the End. Then they Elected Seven. called the
SevenEyes of God & the Seven lamps of the Almighty
The Seven are one within the other the Seventh is named Jesus"
2) Milton, Plate 23, (E 118)
"We were plac'd here by the Universal Brotherhood & Mercy
With powers fitted to circumscribe this dark Satanic death
And that the Seven Eyes of God may have space for Redemption.
But how this is as yet we know not"
3) Milton, PLATE 24 [26] (E 118)
"& the Seven Eyes of God continually
Guard round them, but I the Fourth Zoa am also set
The Watchman of Eternity, the Three are not! & I am preserved
Still my four mighty ones are left to me in Golgonooza
Still Rintrah fierce, and Palamabron mild & piteous
Theotormon filld with care, Bromion loving Science"
4) Milton, Plate 29, (E 127)
"But Enitharmon and her Daughters take the pleasant charge.
To give them to their lovely heavens till the Great Judgment Day
Such is their lovely charge. But Rahab & Tirzah pervert
Their mild influences, therefore the Seven Eyes of God walk round
The Three Heavens of Ulro, where Tirzah & her Sisters
Weave the black Woof of Death upon Entuthon Benython"
5) Milton, Plate 35, (E 135)
"But the Larks Nest is at the Gate of Los, at the eastern
Gate of wide Golgonooza & the Lark is Los's Messenger
PLATE 36 [40]
When on the highest lift of his light pinions he arrives
At that bright Gate, another Lark meets him & back to back
They touch their pinions tip tip: and each descend
To their respective Earths & there all night consult with Angels
Of Providence & with the Eyes of God all night in slumbers
Inspired: & at the dawn of day send out another Lark
Into another Heaven to carry news upon his wings
Thus are the Messengers dispatchd till they reach the Earth again"
6) Jerusalem Plate 55, (E 203)
"The Stars in their courses fought. the Sun! Moon! Heaven! Earth.
Contending for Albion & for Jerusalem his Emanation
And for Shiloh, the Emanation of France & for lovely Vala.
Then far the greatest number were about to make a Separation
And they Elected Seven, calld the Seven Eyes of God;
Lucifer, Molech, Elohim, Shaddai, Pahad, Jehovah, Jesus.
They namd the Eighth. he came not, he hid in Albions Forests"

Bacon, Newton, and Locke

"I consider them [Bacon, Newton, and Locke] as the three greatest men that have ever lived, without any exception.." (from the pen of Thomas Jefferson in a letter in 1789.

You can see what Blake thought of Bacon by reading his annotations to one of Bacon's books (Erdman pp 620-32). Here's are two examples:

"7. Bacon a Liar

AnnBacon62; E624

8. Bacon has no notion of any thing but Mammon

AnnBacon69; E625"

Re Newton look at the end of a famous letter (23) to Butts in 1802:

"Now I a fourfold vision see
And a fourfold vision is given to me
Tis fourfold in my supreme delight
And three fold in soft Beulahs night
And twofold Always.  May God us keep
From Single vision & Newtons sleep" (Erdman 722) 

 Re Locke: the tabula raza was particularly offense to Blake
who thought intelligence and imagination were inherent in us
all.  

 In Milton plate 41 Blake dispatches all three with this:
"To cleanse the Face of my Spirit by Self-examination.
To bathe in the Waters of Life; to wash off the Not Human
I come in Self-annihilation & the grandeur of Inspiration
To cast off Rational Demonstration by Faith in the Saviour
To cast off the rotten rags of Memory by Inspiration
To cast off Bacon, Locke & Newton from Albions covering
To take off his filthy garments, & clothe him with
Imagination" (Erdman 142)

Blake felt that these three men (Blake's 'unholy trinity')
had led England into a thoroughly materialistic,
spirit-denying culture dominated by greed.  What he said
about them was largely true although they had a positive
dimension as well. Blake acknowledged the positive dimension

in plate 98 near the end of Jerusalem:

"The Druid Spectre was Annihilate loud thundring rejoicing
terrific vanishing
Fourfold Annihilation & at the clangor of the Arrows of
Intellect
The innumerable Chariots of the Almighty appeard in Heaven
And Bacon & Newton & Locke, & Milton & Shakspear &
Chaucer"(Erdman 257)

Although he had excoriated them systematically throughout
his works, he realized that they were not negatives, but
contraries.  The essential polarity of the mind means that
the opposites are also true. 

STATES

Milton, Plate 32

Plate 32 does not appear in the first two copies (A&B) of Milton. It was added later to explain the important concept of 'states'. Blake had clarified his thinking and so gave Milton and the readers the benefit of his understanding. The idea of states is essential to understanding Blake's ideas about 'good and evil', imputing sin, annihilation, and forgiveness. The concept of a merciful and benevolent God, which is incompatible with a God of cruelty and vengeance, requires the idea of states to deal with the problem of handling evil. The understanding of 'states' allows us to 'turn our backs on Heavens builded on cruelty'.

PLATE 32 [35] (E130)
"And Milton oft sat up on the Couch of Death & oft conversed
In vision & dream beatific with the Seven Angels of the Presence

I have turned my back upon these Heavens builded on cruelty
My Spectre still wandering thro' them follows my Emanation
He hunts her footsteps thro' the snow & the wintry hail & rain
The idiot Reasoner laughs at the Man of Imagination
And from laughter proceeds to murder by undervaluing calumny

Then Hillel who is Lucifer replied over the Couch of Death
And thus the Seven Angels instructed him & thus they converse.

We are not Individuals but States: Combinations of Individuals
We were Angels of the Divine Presence: & were Druids in Annandale
Compelld to combine into Form by Satan, the Spectre of Albion,
Who made himself a God &, destroyed the Human Form Divine.
But the Divine Humanity & Mercy gave us a Human Form
Because we were combind in Freedom & holy Brotherhood
While those combind by Satans Tyranny first in the blood of War
And Sacrifice &, next, in Chains of imprisonment: are
Shapeless Rocks
Retaining only Satans Mathematic Holiness, Length: Bredth &
Highth
Calling the Human Imagination: which is the Divine Vision &
Fruition
In which Man liveth eternally: madness & blasphemy, against
Its own Qualities, which are Servants of Humanity, not Gods
or Lords[.]
Distinguish therefore States from Individuals in those States.
States Change: but Individual Identities never change nor cease:
You cannot go to Eternal Death in that which can never Die.
Satan & Adam are States Created into Twenty-seven Churches
And thou O Milton art a State about to be Created
Called Eternal Annihilation that none but the Living shall
Dare to enter: & they shall enter triumphant over Death
And Hell & the Grave! States that are not, but ah! Seem to be.

Judge then of thy Own Self: thy Eternal Lineaments explore
What is Eternal & what Changeable? & what Annihilable!

The Imagination is not a State: it is the Human Existence itself
Affection or Love becomes a State, when divided from Imagination
The Memory is a State always, & the Reason is a State
Created to be Annihilated & a new Ratio Created
Whatever can be Created can be Annihilated Forms cannot
The Oak is cut down by the Ax, the Lamb falls by the Knife
But their Forms Eternal Exist, For-ever. Amen Halle[l]ujah

Thus they converse with the Dead watching round the Couch of
Death.
For God himself enters Death's Door always with those that enter
And lays down in the Grave with them, in Visions of Eternity
Till they awake & see Jesus & the Linen Clothes lying
That the Females had Woven for them, & the Gates of their
Fathers House"

The Eternal dimension which seems shadowy to the unawakened, is seen to be substantial and vividly real by those who have been given a 'perception of the infinite.' They have entered the door of death and prepared themselves for transformation. In awakening, they see their physical bodies as garments that can be discarded as they enter the true world of unencumbered Spirit.

From The Grave

Philippians 2:8

2:5-11 - Let Christ himself be your example as to what your attitude should be. For he, who had always been God by nature, did not cling to his prerogatives as God's equal, but stripped himself of all privilege by consenting to be a slave by nature and being born as mortal man. And, having become man, he humbled himself by living a life of utter obedience, even to the extent of dying, and the death he died was the death of a common criminal.

STATES

Milton, Plate 32

Plate 32 does not appear in the first two copies (A&B) of Milton. It was added later to explain the important concept of 'states'. Blake had clarified his thinking and so gave Milton and the readers the benefit of his understanding. The idea of states is essential to understanding Blake's ideas about 'good and evil', imputing sin, annihilation, and forgiveness. The concept of a merciful and benevolent God, which is incompatible with a God of cruelty and vengeance, requires the idea of states to deal with the problem of handling evil. The understanding of 'states' allows us to 'turn our backs on Heavens builded on cruelty'.

PLATE 32 [35] (E130)
"And Milton oft sat up on the Couch of Death & oft conversed
In vision & dream beatific with the Seven Angels of the Presence

I have turned my back upon these Heavens builded on cruelty
My Spectre still wandering thro' them follows my Emanation
He hunts her footsteps thro' the snow & the wintry hail & rain
The idiot Reasoner laughs at the Man of Imagination
And from laughter proceeds to murder by undervaluing calumny

Then Hillel who is Lucifer replied over the Couch of Death
And thus the Seven Angels instructed him & thus they converse.

We are not Individuals but States: Combinations of Individuals
We were Angels of the Divine Presence: & were Druids in Annandale
Compelld to combine into Form by Satan, the Spectre of Albion,
Who made himself a God &, destroyed the Human Form Divine.
But the Divine Humanity & Mercy gave us a Human Form
Because we were combind in Freedom & holy Brotherhood
While those combind by Satans Tyranny first in the blood of War
And Sacrifice &, next, in Chains of imprisonment: are
Shapeless Rocks
Retaining only Satans Mathematic Holiness, Length: Bredth &
Highth
Calling the Human Imagination: which is the Divine Vision &
Fruition
In which Man liveth eternally: madness & blasphemy, against
Its own Qualities, which are Servants of Humanity, not Gods
or Lords[.]
Distinguish therefore States from Individuals in those States.
States Change: but Individual Identities never change nor cease:
You cannot go to Eternal Death in that which can never Die.
Satan & Adam are States Created into Twenty-seven Churches
And thou O Milton art a State about to be Created
Called Eternal Annihilation that none but the Living shall
Dare to enter: & they shall enter triumphant over Death
And Hell & the Grave! States that are not, but ah! Seem to be.

Judge then of thy Own Self: thy Eternal Lineaments explore
What is Eternal & what Changeable? & what Annihilable!

The Imagination is not a State: it is the Human Existence itself
Affection or Love becomes a State, when divided from Imagination
The Memory is a State always, & the Reason is a State
Created to be Annihilated & a new Ratio Created
Whatever can be Created can be Annihilated Forms cannot
The Oak is cut down by the Ax, the Lamb falls by the Knife
But their Forms Eternal Exist, For-ever. Amen Halle[l]ujah

Thus they converse with the Dead watching round the Couch of
Death.
For God himself enters Death's Door always with those that enter
And lays down in the Grave with them, in Visions of Eternity
Till they awake & see Jesus & the Linen Clothes lying
That the Females had Woven for them, & the Gates of their
Fathers House"

The Eternal dimension which seems shadowy to the unawakened, is seen to be substantial and vividly real by those who have been given a 'perception of the infinite.' They have entered the door of death and prepared themselves for transformation. In awakening, they see their physical bodies as garments that can be discarded as they enter the true world of unencumbered Spirit.

From The Grave

Philippians 2:8

2:5-11 - Let Christ himself be your example as to what your attitude should be. For he, who had always been God by nature, did not cling to his prerogatives as God's equal, but stripped himself of all privilege by consenting to be a slave by nature and being born as mortal man. And, having become man, he humbled himself by living a life of utter obedience, even to the extent of dying, and the death he died was the death of a common criminal.

BEULAH

When Larry retired from working for the government in Washington, DC, we left the 'fast lane' and removed ourselves to the foot of the mountains in South Carolina. For the first and only time in our lives we had a few acres of land to enjoy and to tend. This retreat from congestion, traffic and competition, Larry was fond of calling Beulah.

He was following the nomenclature of his hero, William Blake, who called the level of existence just below the level of Eden, by the name Beulah. From Beulah one may return to 'the severe contentions of eternity' after a period of stress-free relaxation in Beulah. If one got addicted to a life of ease and intellectual laziness, one might slip down into the level of Generation or Ulro. Beulah was meant to be a transitional state not a permanent way of life.

Here is a passage from Symbol and Image in William Blake, by George W Digby, Page 51:

"The 'Daughters of Beulah' are man's inherent powers of recovering his inner harmony and sense of direction. They hold him by secret threads and represent a sort of psychological umbilical cord. They represent the power of the imagination to throw up symbols and present them intuitively to the mind (as these symbols come from the region of the mind most remote and other than ego-consciousness, they appear to come from the unconscious.) By means of these symbols, which are the 'Daughters of Beulah', the lost man may be rescued. Although they may become more and more obscure and tenuous the farther he sinks into the meshes of maya, yet the threads are always there and do not break. The compassion of the 'Daughters of Beulah' endures, as does man's capacity for acceptance and assimilation."

Milton, Plate 30 (E129)

"But the Emanations trembled exceedingly, nor could they
Live, because the life of Man was too exceeding unbounded
His joy became terrible to them they trembled & wept
Crying with one voice. Give us a habitation & a place
In which we may be hidden under the shadow of wings
For if we who are but for a time, & who pass away in winter
Behold these wonders of Eternity we shall consume
But you O our Fathers & Brothers, remain in Eternity
But grant us a Temporal Habitation. do you speak
To us; we will obey your words as you obey Jesus
The Eternal who is blessed for ever & ever. Amen

So spake the lovely Emanations;"

Four Zoas, Night 1, Page 5, Line 29 (E303)

"There is from Great Eternity a mild & pleasant rest
Namd Beulah a Soft Moony Universe feminine lovely
Pure mild & Gentle given in Mercy to those who sleep
Eternally. Created by the Lamb of God around
On all sides within & without the Universal Man
The Daughters of Beulah follow sleepers in all their Dreams
Creating Spaces lest they fall into Eternal Death"

MILTON: BOOK THE SECOND, PLATE 30 (E129)

"There is a place where Contrarieties are equally True
This place is called Beulah, It is a pleasant lovely Shadow
Where no dispute can come. Because of those who Sleep.
Into this place the Sons & Daughters of Ololon descended
With solemn mourning into Beulahs moony shades & hills
Weeping for Milton: mute wonder held the Daughters of Beulah
Enrapturd with affection sweet and mild benevolence

Beulah is evermore Created around Eternity; appearing
To the Inhabitants of Eden, around them on all sides.
But Beulah to its Inhabitants appears within each district
As the beloved infant in his mothers bosom round incircled
With arms of love & pity & sweet compassion. But to
The Sons of Eden the moony habitations of Beulah,
Are from Great Eternity a mild & pleasant Rest."

In the Blake Dictionary, Damon states that Beulah is the subconscious. As such it is out of touch with what we call the 'real world' of conscious thought, sensation, and ego-control. Since what it presents to consciousness is non rational - dreams, fantasy, intuitions,and imaginary constructs - we tend to classify it as illusionary. Psychologists however have found it an avenue for healing the psyche by revealing hidden damage deeper within the unconscious.

An Image of Beulah

Blake seems to have recognized the healing nature of a state where ideas were not rejected or judged; where there was not pressure to produce or conform; where the darkness could appear but not harm; where one could feel that one was held in compassionate arms. Blake's Beulah could be entered through gates from his other worlds, to provide the healing which souls needed to progress along their journeys. Perhaps he saw himself as requiring such recovery from his trials and toils, and wanted to share with us his gentle place where his imagination could spread its wings.